quinta-feira, maio 31, 2012
Ninguém é tão ofensivo como um escritor a falar de outro escritor
«Jane Austen makes me detest all her people, without reserve. Is that her intention? It is not believable. Then is it her purpose to make the reader detest her people up to the middle of the book and like them in the rest of the chapters? That could be. That would be high art. It would be worth while, too. Some day I will examine the other end of her books and see.»
«I haven’t any right to criticize books, and I don’t do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can’t conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read ‘Pride and Prejudice,’ I want to dig her up and hit her over the skull with her own shin-bone.»
Mark Twain
Mark Twain
- Só considero cultura aquilo que aproxima o homem do outro homem. A apologia da desumanidade ou do racismo, a estética só em função da estética, enquanto valor final é vácua culturalmente. Claro está que a estética pela estética pode ... A beleza tem o poder de nos fazer sentir mais próximos de coisas elevadas.
combat primer
they called Celine a Nazi
they called Pound a fascist
they called Hamsun a Nazi and a fascist.
they put Dostoevsky in front of a firing
squad.
and they shot Lorca
gave Hemingway electric shock treatments
(and you know he shot himself)
and they ran Villon out of town (Paris)
and Mayakovsky
disillusioned with the regime
and after a lovers’ quarrel,
well,
he shot himself too.
Chatterton took rat poison
and it worked.
and some say Malcolm Lowry died
choking on his own vomit
while drunk.
Crane went the way of the boat
propellor or the sharks.
Harry Crosby’s sun was black.
Berryman preferred the bridge.
Plath didn’t light the oven.
Seneca cut his wrists in the
bathtub (it’s best that way:
in warm water).
Thomas and Behan drank themselves
to death and
there are many others.
and you want to be a
writer?
it’s that kind of war:
creation kills,
many go mad,
some lose their way and
can’t do it
anymore.
a few make it to old age.
a few make money.
some starve (like Vallejo),
it’s that kind of war:
casualties everywhere.
all right, go ahead
do it
but when they sandbag you
from the blind side
don’t come to me with your
regrets.
now I’m going to smoke a cigarette
in the bathtub
and then I’m going to
sleep.
they called Pound a fascist
they called Hamsun a Nazi and a fascist.
they put Dostoevsky in front of a firing
squad.
and they shot Lorca
gave Hemingway electric shock treatments
(and you know he shot himself)
and they ran Villon out of town (Paris)
and Mayakovsky
disillusioned with the regime
and after a lovers’ quarrel,
well,
he shot himself too.
Chatterton took rat poison
and it worked.
and some say Malcolm Lowry died
choking on his own vomit
while drunk.
Crane went the way of the boat
propellor or the sharks.
Harry Crosby’s sun was black.
Berryman preferred the bridge.
Plath didn’t light the oven.
Seneca cut his wrists in the
bathtub (it’s best that way:
in warm water).
Thomas and Behan drank themselves
to death and
there are many others.
and you want to be a
writer?
it’s that kind of war:
creation kills,
many go mad,
some lose their way and
can’t do it
anymore.
a few make it to old age.
a few make money.
some starve (like Vallejo),
it’s that kind of war:
casualties everywhere.
all right, go ahead
do it
but when they sandbag you
from the blind side
don’t come to me with your
regrets.
now I’m going to smoke a cigarette
in the bathtub
and then I’m going to
sleep.
CHARLES BUKOWSKI
- O peso do invisível no amor é tão grande, que eu acho bizarro que alguém consiga utilizar argumentação coerente para responder aos «porquês». «Porque é simpática, me lava a roupa, me deixa ver futebol sem chatear, tem uma gargalhada amorável.» E depois? Se algum dia uma ou todas estas «qualidades» se transformarem noutra coisa, evoluírem ou desaparecerem, deixa-se automaticamente de amar?
Imagination Does Not Exist
You should come close to me tonight wayfarer
For I will be celebrating you.
Your beauty still causes me madness,
Keeps the neighbours complaining
When I start shouting in the middle of the night
Because I can't bear all this joy.
I will be giving birth to suns.
I will be holding forests upside down
Gently shaking soft animals from trees and burrows
Into my lap.
What you conceive as imagination
Does not exist for me.
Whatever you can do in a dream
Or on your mind-canvas
My hands can pull - alive - from my coat pocket.
But let's not talk about my divine world.
For what I most want to know
Tonight is:
All about
You.
Hafiz of Shiraz
Hafiz of Shiraz
quarta-feira, maio 30, 2012
«Aceite o leitor: há privilégios habitualmente pequenos e duráveis, no reino dos olhos quietos e das horas de espanto, da música, da prata que mora nas salinas, ou que cintila em mares surpreendentes, nas árvores outonais, com folhas que voam na direcção do Inverno, ficando naturalmente pelo caminho, o frio e a lareira dos antepassados, parados numa gravura de parede, os dedos nos cabelos, a palavra no ouvido, a água pesada da mágoa do mundo, depois a dos teus olhos - inocente.»
Dinis Machado, Reduto quase Final
Dinis Machado, Reduto quase Final
terça-feira, maio 29, 2012
Uma lista (não é difícil qual a lista do board e a do leitor) interessante se consideramos que está lá Koestler, Orwell, Huxley (o fascínio das distopias, até o Bradbury lá está), Fitzgerald mais do que uma vez. Claro está que o livro de Steinbeck é datado e que A Leste do Paraíso é intemporal e bíblico. Há coragem na escolha de certos nomes, mas há a habitual sobreestimação de Joyce e ainda um excesso de contemporâneos. Da Modern Library
- ULYSSESby James Joyce
- THE GREAT GATSBYby F. Scott Fitzgerald
- A PORTRAIT OF THE ARTIST AS A YOUNG MANby James Joyce
- LOLITAby Vladimir Nabokov
- BRAVE NEW WORLDby Aldous Huxley
- THE SOUND AND THE FURYby William Faulkner
- CATCH-22by Joseph Heller
- DARKNESS AT NOONby Arthur Koestler
- SONS AND LOVERSby D.H. Lawrence
- THE GRAPES OF WRATHby John Steinbeck
- UNDER THE VOLCANOby Malcolm Lowry
- THE WAY OF ALL FLESHby Samuel Butler
- 1984by George Orwell
- I, CLAUDIUSby Robert Graves
- TO THE LIGHTHOUSEby Virginia Woolf
- AN AMERICAN TRAGEDYby Theodore Dreiser
- THE HEART IS A LONELY HUNTERby Carson McCullers
- SLAUGHTERHOUSE-FIVEby Kurt Vonnegut
- INVISIBLE MANby Ralph Ellison
- NATIVE SONby Richard Wright
- HENDERSON THE RAIN KINGby Saul Bellow
- APPOINTMENT IN SAMARRAby John O’Hara
- U.S.A.(trilogy)by John Dos Passos
- WINESBURG, OHIOby Sherwood Anderson
- A PASSAGE TO INDIAby E.M. Forster
- THE WINGS OF THE DOVEby Henry James
- THE AMBASSADORSby Henry James
- TENDER IS THE NIGHTby F. Scott Fitzgerald
- THE STUDS LONIGAN TRILOGYby James T. Farrell
- THE GOOD SOLDIERby Ford Madox Ford
- ANIMAL FARMby George Orwell
- THE GOLDEN BOWLby Henry James
- SISTER CARRIEby Theodore Dreiser
- A HANDFUL OF DUSTby Evelyn Waugh
- AS I LAY DYINGby William Faulkner
- ALL THE KING’S MENby Robert Penn Warren
- THE BRIDGE OF SAN LUIS REYby Thornton Wilder
- HOWARDS ENDby E.M. Forster
- GO TELL IT ON THE MOUNTAINby James Baldwin
- THE HEART OF THE MATTERby Graham Greene
- LORD OF THE FLIESby William Golding
- DELIVERANCEby James Dickey
- A DANCE TO THE MUSIC OF TIME (series)by Anthony Powell
- POINT COUNTER POINTby Aldous Huxley
- THE SUN ALSO RISESby Ernest Hemingway
- THE SECRET AGENTby Joseph Conrad
- NOSTROMOby Joseph Conrad
- THE RAINBOWby D.H. Lawrence
- WOMEN IN LOVEby D.H. Lawrence
- TROPIC OF CANCERby Henry Miller
- THE NAKED AND THE DEADby Norman Mailer
- PORTNOY’S COMPLAINTby Philip Roth
- PALE FIREby Vladimir Nabokov
- LIGHT IN AUGUSTby William Faulkner
- ON THE ROADby Jack Kerouac
- THE MALTESE FALCONby Dashiell Hammett
- PARADE’S ENDby Ford Madox Ford
- THE AGE OF INNOCENCEby Edith Wharton
- ZULEIKA DOBSONby Max Beerbohm
- THE MOVIEGOERby Walker Percy
- DEATH COMES FOR THE ARCHBISHOPby Willa Cather
- FROM HERE TO ETERNITYby James Jones
- THE WAPSHOT CHRONICLESby John Cheever
- THE CATCHER IN THE RYEby J.D. Salinger
- A CLOCKWORK ORANGEby Anthony Burgess
- OF HUMAN BONDAGEby W. Somerset Maugham
- HEART OF DARKNESSby Joseph Conrad
- MAIN STREETby Sinclair Lewis
- THE HOUSE OF MIRTHby Edith Wharton
- THE ALEXANDRIA QUARTETby Lawrence Durell
- A HIGH WIND IN JAMAICAby Richard Hughes
- A HOUSE FOR MR BISWASby V.S. Naipaul
- THE DAY OF THE LOCUSTby Nathanael West
- A FAREWELL TO ARMSby Ernest Hemingway
- SCOOPby Evelyn Waugh
- THE PRIME OF MISS JEAN BRODIEby Muriel Spark
- FINNEGANS WAKEby James Joyce
- KIMby Rudyard Kipling
- A ROOM WITH A VIEWby E.M. Forster
- BRIDESHEAD REVISITEDby Evelyn Waugh
- THE ADVENTURES OF AUGIE MARCHby Saul Bellow
- ANGLE OF REPOSEby Wallace Stegner
- A BEND IN THE RIVERby V.S. Naipaul
- THE DEATH OF THE HEARTby Elizabeth Bowen
- LORD JIMby Joseph Conrad
- RAGTIMEby E.L. Doctorow
- THE OLD WIVES’ TALEby Arnold Bennett
- THE CALL OF THE WILDby Jack London
- LOVINGby Henry Green
- MIDNIGHT’S CHILDRENby Salman Rushdie
- TOBACCO ROADby Erskine Caldwell
- IRONWEEDby William Kennedy
- THE MAGUSby John Fowles
- WIDE SARGASSO SEAby Jean Rhys
- UNDER THE NETby Iris Murdoch
- SOPHIE’S CHOICEby William Styron
- THE SHELTERING SKYby Paul Bowles
- THE POSTMAN ALWAYS RINGS TWICEby James M. Cain
- THE GINGER MANby J.P. Donleavy
- THE MAGNIFICENT AMBERSONSby Booth Tarkington
- ATLAS SHRUGGEDby Ayn Rand
- THE FOUNTAINHEADby Ayn Rand
- BATTLEFIELD EARTHby L. Ron Hubbard
- THE LORD OF THE RINGSby J.R.R. Tolkien
- TO KILL A MOCKINGBIRDby Harper Lee
- 1984by George Orwell
- ANTHEMby Ayn Rand
- WE THE LIVINGby Ayn Rand
- MISSION EARTHby L. Ron Hubbard
- FEARby L. Ron Hubbard
- ULYSSESby James Joyce
- CATCH-22by Joseph Heller
- THE GREAT GATSBYby F. Scott Fitzgerald
- DUNEby Frank Herbert
- THE MOON IS A HARSH MISTRESSby Robert Heinlein
- STRANGER IN A STRANGE LANDby Robert Heinlein
- A TOWN LIKE ALICEby Nevil Shute
- BRAVE NEW WORLDby Aldous Huxley
- THE CATCHER IN THE RYEby J.D. Salinger
- ANIMAL FARMby George Orwell
- GRAVITY’S RAINBOWby Thomas Pynchon
- THE GRAPES OF WRATHby John Steinbeck
- SLAUGHTERHOUSE FIVEby Kurt Vonnegut
- GONE WITH THE WINDby Margaret Mitchell
- LORD OF THE FLIESby William Golding
- SHANEby Jack Schaefer
- TRUSTEE FROM THE TOOLROOMby Nevil Shute
- A PRAYER FOR OWEN MEANYby John Irving
- THE STANDby Stephen King
- THE FRENCH LIEUTENANT’S WOMANby John Fowles
- BELOVEDby Toni Morrison
- THE WORM OUROBOROSby E.R. Eddison
- THE SOUND AND THE FURYby William Faulkner
- LOLITAby Vladimir Nabokov
- MOONHEARTby Charles de Lint
- ABSALOM, ABSALOM!by William Faulkner
- OF HUMAN BONDAGEby W. Somerset Maugham
- WISE BLOODby Flannery O’Connor
- UNDER THE VOLCANOby Malcolm Lowry
- FIFTH BUSINESSby Robertson Davies
- SOMEPLACE TO BE FLYINGby Charles de Lint
- ON THE ROADby Jack Kerouac
- HEART OF DARKNESSby Joseph Conrad
- YARROWby Charles de Lint
- AT THE MOUNTAINS OF MADNESSby H.P. Lovecraft
- ONE LONELY NIGHTby Mickey Spillane
- MEMORY AND DREAMby Charles de Lint
- TO THE LIGHTHOUSEby Virginia Woolf
- THE MOVIEGOERby Walker Percy
- TRADERby Charles de Lint
- THE HITCHHIKER’S GUIDE TO THE GALAXYby Douglas Adams
- THE HEART IS A LONELY HUNTERby Carson McCullers
- THE HANDMAID’S TALEby Margaret Atwood
- BLOOD MERIDIANby Cormac McCarthy
- A CLOCKWORK ORANGEby Anthony Burgess
- ON THE BEACHby Nevil Shute
- A PORTRAIT OF THE ARTIST AS A YOUNG MANby James Joyce
- GREENMANTLEby Charles de Lint
- ENDER’S GAMEby Orson Scott Card
- THE LITTLE COUNTRYby Charles de Lint
- THE RECOGNITIONSby William Gaddis
- STARSHIP TROOPERSby Robert Heinlein
- THE SUN ALSO RISESby Ernest Hemingway
- THE WORLD ACCORDING TO GARPby John Irving
- SOMETHING WICKED THIS WAY COMESby Ray Bradbury
- THE HAUNTING OF HILL HOUSEby Shirley Jackson
- AS I LAY DYINGby William Faulkner
- TROPIC OF CANCERby Henry Miller
- INVISIBLE MANby Ralph Ellison
- THE WOOD WIFEby Terri Windling
- THE MAGUSby John Fowles
- THE DOOR INTO SUMMERby Robert Heinlein
- ZEN AND THE ART OF MOTORCYCLE MAINTENANCEby Robert Pirsig
- I, CLAUDIUSby Robert Graves
- THE CALL OF THE WILDby Jack London
- AT SWIM-TWO-BIRDSby Flann O’Brien
- FARENHEIT 451by Ray Bradbury
- ARROWSMITHby Sinclair Lewis
- WATERSHIP DOWNby Richard Adams
- NAKED LUNCHby William S. Burroughs
- THE HUNT FOR RED OCTOBERby Tom Clancy
- GUILTY PLEASURESby Laurell K. Hamilton
- THE PUPPET MASTERSby Robert Heinlein
- ITby Stephen King
- V.by Thomas Pynchon
- DOUBLE STARby Robert Heinlein
- CITIZEN OF THE GALAXYby Robert Heinlein
- BRIDESHEAD REVISITEDby Evelyn Waugh
- LIGHT IN AUGUSTby William Faulkner
- ONE FLEW OVER THE CUCKOO’S NESTby Ken Kesey
- A FAREWELL TO ARMSby Ernest Hemingway
- THE SHELTERING SKYby Paul Bowles
- SOMETIMES A GREAT NOTIONby Ken Kesey
- MY ANTONIAby Willa Cather
- MULENGROby Charles de Lint
- SUTTREEby Cormac McCarthy
- MYTHAGO WOODby Robert Holdstock
- ILLUSIONSby Richard Bach
- THE CUNNING MANby Robertson Davies
- THE SATANIC VERSESby Salman Rushdie
Do Real
Ele perdeu o emprego de empregado de mesa. Passou a frequentar dois cafés assiduamente em Benfica, ao mesmo tempo que ninguém lhe respondia a anúncios. Era muito velho, diziam-lhe no País em Que Ter Quarenta Anos é Obsoletissímo. Os cafés eram a segunda casa, mais ordeira e bem cheirosa do que o seu bairro social. Tentou as obras. Os trabalhos na construção tornaram-se cada vez mais esporádicos. O rendimento mínimo não chegava para comer e beber. Deixou de comer parcialmente. Caíram-lhe dentes, mas ele não tinha dinheiro para os arranjar. Passou a cravar cigarros nos cafés. O seu aspecto e a sua aura de crava afastava cada vez mais pessoas. Apaixonou-se por uma rapariga que ia ao café, uma amiga minha. Declarou-lhe o amor infinitas vezes. Uma amiga dessa minha amiga conheceu-o, uma alternativa com o indispensável charme de esquerda bloquista, disse-lhe que lhe metia nojo cumprimentá-lo e que nunca mais queria passar pelo processo dos dois beijinhos. Certo dia, falei com ele, e mal lhe perguntei «Tudo bem?», ele respondeu: «Enquanto não tiver trabalho, está tudo mal.» A minha amiga conhece o melhor amigo dele e começou a namorá-lo. Porquê? Porquê? Ela tentou manter a amizade, mas a a convivência a três dilacerava-o. Ontem, ela disse-lhe: «O Nuno [o namorado, melhor amigo dele] vai para os Açores.» Ele respondeu-lhe: «E eu na quinta vou para [apontou para o Céu]». Ela procura agarrar-se à ideia de que quem o anuncia não o concretiza.
Os cinquenta contos (a tasca destaca dois, ambos traduzidos em português de Portugal)
- "Signs and Symbols" by Vladimir Nabokov: First published in The New Yorker, this short story tells the sad tale of an elderly couple and their mentally ill son.
- "A Good Man Is Hard to Find" by Flannery O’Connor: A manipulative grandmother is at the center of this tragic and shocking story about coming to terms with who you really are.
- "The Snows of Kilimanjaro" by Ernest Hemingway: A writer on safari in Africa is close to death and looks back on his life regrettably in this short tale.
- "The Fly" by Katherine Mansfield: This short story deals with some heavy themes, like death, truth and the horrors of war.
- "In the Penal Colony" by Franz Kafka: An elaborate torture and execution device that carves a sentence into a prisoner’s skin before death is at the center of this famous short story by Kafka.
- "A Hunger Artist" by Franz Kafka: Exploring themes like death, art, isolation and personal failure, this work is one of Kafka’s best and, sadly, most autobiographical.
- "The Lame Shall Enter First" by Flannery O’Connor: In this tragic story, a man’s idealism and self-interest cause him to ignore the needs of his grieving son– with sad consequences.
- "The Lottery" by Shirley Jackson: First published in 1948, this short has been ranked as one of the most famous short stories in American literature– despite its negative reception in some places.
- "The Use of Force" by William Carlos Williams: This story asks readers to consider whether or not it is ethical to hurt someone for their own good and, more importantly, whether one should be ashamed to enjoy the experience.
- "The Rockinghorse Winner" by D.H. Lawrence: This twisted tale will stick with you long after you’ve read it, documenting the strange relationship between a spendthrift mother and her son, who only longs to make her happy.
- "The Yellow Wallpaper" by Charlotte Perkins Gilman: An early work of feminist literature, this story follows a young woman as she descends into psychosis, becoming obsessed with the pattern and color of the wallpaper.
- Where Are You Going, Where Have You Been? By Joyce Carol Oates:This short story was inspired by the murders committed in Tucson, Arizona, by serial killer Charles Schmid.
Collections
If you’re looking for more than just one great short story, check out these must-reads.
- I, Robot by Issac Asimov: Made into a variety of movies and inspiring many other writers, this collection is an essential read for any sci-fi fan.
- Olive Kitteridge by Elizabeth Strout: Containing 13 short stories, this Pulitzer Prize-winning work details the lives of Olive and those inhabiting the small Maine town she calls home.
- The Things They Carried by Tim O’Brien: Nominated for and winning numerous literary awards, this collection of stories about the Vietnam War is moving– perhaps even more so because many of them are based on the author’s own experiences.
- Dubliners by James Joyce: Over the course of fifteen short stories, readers will gain insights into Irish middle-class life at the beginning of the 20th century.
- Nine Stories by JD Salinger: Containing some of Salinger’s most famous short works like "For Esme– with Love and Squalor," this collection is a great way to connect with the well-known author.
- Steps by Jerzy Kosinski: In a series of short vignettes, Kosinski will shock, disgust and creep you out. Whether you like the book or not, you won’t walk away unmoved.
- Interpreter of Maladies by Jhumpa Lahiri: This Pulitzer-winning collection captures the difficulties of Indian-Americans caught between one culture and another.
- Will You Please Be Quiet, Please? by Raymond Carver: Themes of segregation and unhappiness are the center of this collection of short stories on American life.
Pop Culture Classics
You’ve more than likely heard of these famous short tales– even if you’ve never read them.
- "The Celebrated Jumping Frog of Calaveras County" by Mark Twain: This colorful tale about a man and his famous jumping frog earned Twain fame and acclaim and is well worth a read.
- "Rikki-Tikki-Tavi " by Rudyard Kipling: If you never enjoyed the tale of this dedicated mongoose as a child, pick it up today.
- "The Body" by Stephen King: Adapted into the movie Stand By Me, this short tale documents both the depth of friendship and the horrors of misfortune.
- "The Legend of Sleepy Hollow" by Washington Irving: You’ve more than likely seen one of the film adaptations of this famous tale, but see how they compare with the original for the full experience.
- "The Telltale Heart" by Edgar Allan Poe: There are few out there who haven’t read or at least heard of this classic tale. Over a few short pages, Poe builds the suspense as a murderer begins to feel the guilt of his crime.
- "A Sound of Thunder" by Ray Bradbury: This work is the most re-published sci-fi short story of all time, documenting with great aplomb the devastating consequences of the "butterfly effect."
- "The Secret Life of Walter Mitty" by James Thurber: The most famous of Thurber’s stories, inspiring the term "Mittyesque," focuses on a man who is bored with his mundane life and escapes through a series of grand, heroic fantasies inspired by his surroundings.
- "The Most Dangerous Game" by Richard Connell: Adapted into a movie starring Ice-T, the literary version of this story is perhaps more serious and compelling than the pop culture it has inspired.
Well-Known Authors
These classic authors may have gotten famous for their longer works, but their short stories can often be just as compelling.
- "Three Questions" by Leo Tolstoy: While Tolstoy may be better known for his epic novels, this short story in the form of a parable about a king searching for the most important questions in life shows he mastered the medium of the short story as well.
- "The Very Old Man with Enormous Wings" by Gabriel Garcia Marquez:This magical realist story focuses on a couple who have found what they believe to be an angel in their front yard– for better or for worse.
- "Fall of the House of Usher" by Edgar Allan Poe: This classic tale of gothic horror will have you hanging on to every last detail.
- "Harrison Bergeron" by Kurt Vonnegut, Jr.: In this satirical, dystopian story society has finally achieved equality by handicapping the most intelligent, athletic or beautiful members of society.
- "The Nose" by Nikolai Gogol: This short satirical work tells the tale of a St. Petersburg official whose nose decides it’s had enough and leaves his face to start a life of its own.
- "The Diamond As Big as the Ritz" by F. Scott Fitzgerald: Included in a short story collection and published on its own, this story documents the lengths one family will go to in order to keep their secret source of wealth a hidden.
- "The Looking Glass" by Anton Chekhov: A marriage-obsessed young woman begins to see her future life being played out in her looking glass in this short tale.
- "The South" by Jorge Luis Borges: Considered by Borges to be one of his best short stories, this story centers on a man who is on his way home after a near death experience.
- "The Swimmer" by John Cheever: This story may have been originally conceived as a novel, but it holds up well as a short story, blending realism and surrealism as it explores life in suburban American.
- "To Build a Fire" by Jack London: Known for his epic tales about man in nature, this short story doesn’t disappoint as a man and dog are pitted against the wilderness in a battle for survival.
- "The Nightingale and the Rose" by Oscar Wilde: This story uses the form of a fairy tale to look at love, sacrifice and relationships.
Modern Writers
Great short stories are still being written today. Here are a few from the past 20 years that may are well worth a read.
- "Meneseteung" by Alice Munro: While the narrative devices used in telling the story might be confusing at first, readers who persevere will be rewarded with a rich tale spanning several decades.
- "The Happy Man" by Jonathan Lethem: In this story, a man has the ability to make visits to hell despite still being alive, something that confuses and frustrates both he and his family.
- "The Second Bakery Attack" by Haruki Murakami: Bizarre and almost dreamlike, this story seems simple but will have you thinking back to it after you’ve finished.
- "Brokeback Mountain" by Annie Proulx: You’d have to be living in a cave not to have heard of this cowboy love story. This narrative is just as moving as the Oscar-winning movie it inspired.
- "The Story" by Amy Bloom: Like metafiction? Pick up this self-reflective, playful story that takes a look at the idea of storytelling itself.
Twist Endings
Short stories are often the perfect format for setting up shocking twist endings. Here are some of the best twisty short stories ever written.
- "The Necklace" by Guy de Maupassant: Popular for its twist ending and the inspiration for many other writers, this short story is a must-read for anyone interested in the genre.
- "An Occurrence at Owl Creek Bridge" by Ambrose Beirce: Made into aTwilight Zone episode, this classic short story is set during the Civil War, where a man is about to hang for being a Confederate sympathizer.
- "The Monkey’s Paw" by W. W. Jacobs: In this terrifying tale, readers will learn to be careful what they wish for– it might not always be what they want.
- "Pastoralia" by George Saunders: Winning Saunders an O. Henry Award in 2001, this story focuses on a man who is stuck in a life he hates in a dystopian future.
- "Man from the South" by Roald Dahl: In this short story, a mysterious man offers a bargain for lighting a lighter on the first try. Win, you get a new car. Lose, he gets to take your finger.
- "The Gift of the Magi" by O. Henry: This sentimental story has a twist with a lesson about the true meaning of gift giving.
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